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Stories from the trail, the race, and the space in betweenField Notes
Halfway Through the Season: What I've Learned Shooting Mountain Bike Races
I'm halfway through my first full season shooting mountain bike races across Ohio and New York, and I don't have this figured out yet. Here's what's actually surprised me so far, about the money, the age range, and how welcoming this community really is once you get past the parts that don't feel that way.
What Actually Happens Before, During, and After Your Headshot Session
Most people show up to a headshot session not knowing what to expect. Here's exactly what I'm doing before you arrive, how I work with you in front of the camera, and why the whole thing matters more than you think.
The Tradeoff of Being Outside
Spending time outdoors isn’t just about being outside—it often means leaving something else behind. A reflection on the quiet tradeoffs behind time on the trail.
When Experience Becomes Something We Follow
We’ll travel a thousand miles to see something the internet told us to, and miss what was right in front of us along the way. It made me wonder how much of what we experience is actually discovered, and how much of it we arrive already knowing.
Spring in the Midwest: A Season of Whiplash and Starting Again
Spring in the Midwest rarely arrives all at once. Warm days pull people back outside, only to be followed by cold snaps that reset everything. This reflection explores how that seasonal whiplash mirrors the slower, less visible process behind building a long-term photography project.
What a Map Can’t Tell you
Maps are useful. They guide us, protect access, and help us plan. But they also flatten places into lines and symbols. This reflection explores what maps leave out, and why experience can’t be replaced by representation.
Why Daylight Savings Changes More Than the Clock
Daylight savings promises an extra hour of evening light, but this reflection isn’t about the clock. It’s about how different 3pm light feels from 8:30 light, and how our routines, energy, and sense of possibility quietly bend around illumination rather than time itself.
When There’s No Such Thing as Bad Light
If I waited for the perfect light, most of these portraits wouldn’t exist. Working in real environments with limited time has changed how I think about natural light, space, and storytelling in environmental portrait photography.